Skip to main content

Pottery Barn


Tonight I would like to hold dusk in my cupped hands, but broken leaves on indoor trees are far too close to the fire. I’ll just watch them drip.
            “I’m bored,” Oscar says. Oscar is my grown son. Grown sons shouldn’t be bored. He’s a brat. “We’ve got to shut the windows, it’s too hot out,” he says. Practical Oscar says what he’s thinking even if he knows I won’t like it.
            M. Air Conditioning tries so very hard to stifle his footsteps, but I can still hear him. He may as well be an intruder, poking around in my spice rack and licking up the remains of the nutmeg. Oscar and I eventually settle down in Chamois chairs. We munch on yellow popcorn out of red and white striped metallic containers.
            But it is hot out, and hot out means drinking blueberry cider in a copper flask. Hot out means Carmen will be dropping by tomorrow to check in on things and make sure blinds are pulled shut so the furniture isn’t damaged by the sun. Carmen will take fancy photos. Cart in new furniture and cart out the old. Who knows where the old, fancy junk goes. Junk gets a price tag rather than a photo shoot. So many price tags . . .  hanging from thin, plastic cords. I have already guzzled my cider. “Oscar, do you want a cider? Salmonberry cider?”
            “No.” He opens a packet of instant coffee, sniffs it, curses — dumps it in the trash. Sometimes he doesn’t know what he wants. He doesn’t know his own mind.
            Tonight I drift in and out of sleep. Sleep. What a waste of time, and I an old man in the loft, lounging on a looming Ottoman. I try to dream. New Orleans, fountain pens, and railroad ties tap dance beyond my oily eyelids.


Two years ago I sold the house of my childhood. They bought it for its seaside views, gothic lighting, casual rain . . . rustic wood slats, beachy aura, spacious rooms. They made it a mannequin to dress over and over again. Smoke wafts up to the loft and I know Carmen from the marketing is here and has probably already lit four and a half candles.
            I wish Oscar were a more proactive thinker and I wish he did things he wanted to do. Oscar and I used to stand by the fire and gaze into the Moroccan sun mirror so that the whole stretch of tea stained sea glistened before us and behind us and above us in the sky’s stomach. Now he’s just dough lazy and he knows he’s got a good deal here. There he is out on my god-forsaken-porch, smooching with Carmen even though she is so much older and smells like pencils. Today is a hot air balloon festival. Dirigibles and the like, wafting. They look just like they do on pillows and such.
            “Get out of the way!” squeals Carmen, clutching her camera. She’s trying to capture the brilliance of our outdoor cushions, paired with the blue melamine dishes and the birds and the dirigibles. She squeals and mutters wistfully, “Create a golden hour of your own with these artisan made lanterns and outdoor drinkware . . . .”


Don’t tell anyone, but I’m leaving. 

Comments

Popular posts from this blog

Which is why they have sailed

I. It’s strange for Claudia, who has never been boating before, to live in a boat. Its name is Arden.             “Why do we live in a boat if we never go boating anywhere?” Claudia once asked her father. Her parents are both short, so at least they fit under the snug roof. Claudia won’t be short, but for now she is. “Bah,” Her father says, “We’re always going somewhere. Just think of Attila the Hun.” She always thought that comment did not make sense. He flips an egg on the stove, “Just use your imagination.” If you walk by you can see how charming the Arden is—look at that little window with Claudia’s father frying eggs. Look at his kind face with his curly, white-haired head too-big-for-a-hat. He is moving back and forth in a kind kitchen, with a miniature flowerpot on the windowsill. These are clay flowers—they keep on living even if they have been forgotten (except that Claudia broke one of the pedals recently, on accident, and turned the miniature flowers so the wo

There aren't any servals in the zoo.

Have you met my older sister Kayla? She’s short with light eyes, and she’s full of wisdom. “When you sit down to do something, you’ve just got to do it,” she says, with determination. She’s a stubborn one. At some point she decided to have a garden of petunias and pansies, and she did it, didn’t she? They bloomed up all purple and velvety. We like to sit out there with the flowers and have tea. You can count on Kayla to say what she’s thinking. “There are demons inside of you,” she says at our tea party today. One of the things she likes to do is to scare me. Isn’t that what older sisters are for? To take away a bit of childish wonder. Kayla will sometimes linger in the dark hallway by the bathroom and one time I was walking to the bathroom and just saw her body there and slowly felt her to see if she were real, and she said “boo!” What a terror. Older sisters are the worst. “I believe you,” I say, about the demons. I feel the demons inside of me sometimes, eating porridge f

Pulitzer

I. I am reading a children’s book called Hamish and Trieta , in which Hamish is a cow and Trieta is a bird. These two become fast friends. Good pals. Buddies. Sometimes the bird sits upon the cow’s back. Often the cow wishes he might sit upon the bird’s back, but of course this is impossible. The poor darling bird simply flits away, c hirping, chirping, always chirping, full of nonsense, not explaining. They fall apart, like many others in this fickle universe. Separated. I close Hamish and Trieta . What a hideous story. I was seduced by its whimsical cover, entranced by its gilded pages. Mother bought it for me ages ago from some downtown bookstore with cerulean walls.  Pulitzer, declares the cover, in golden script. I do not understand what a Pulitzer is and I do not particularly care.             I am a child, yet I know that horrid things do not deserve Pulitzer awards. Rage, like vomit, pools in my throat. The tip of my jaw is numb. I chew on my rage as if it is